Lusine
– Serial Hodgepodge
Ghostly,
2004
A2P
rating: 3.0
Were
there a competition for the most aptly titled CD of ‘04, Lusine’s
Serial Hodgepodge would definitely make it into the running. The
latest offering from the DJ otherwise known as Jeff McIlwain spans
a range of contemporary electronic styles, integrating dreamy ambience,
cinematic downbeat, and minimal microhouse into, well, a hodgepodge
of largely chilled-out electronica. Serial Hodgepodge runs the risk
of sounding like a genre sampler, a fact that couldn’t have
been overlooked given the name of the disc, but nonetheless is able
to maintain a thread of consistency that makes for a mood-filled
yet cerebral listen.
“Ask
You” begins the disc with low key ethereal vocal chorusing
that quickly gives way to bass heavy down-tempo interspersed with
a smidgen of glitch, kicking off an evocative rollercoaster of atmosphere
that carries throughout the disc. Things remain laid-back even in
the disc’s fastest moments, never approaching a pop hook.
From the restrained beat of “Falling In” to the wistful
heave of “Still Frame,” Lusine finds consistency in
a musical paradigm built around slow growing repetition and the
layering of slight, minimal variations.
Serial
Hodgepodge is much more clearly geared towards establishing an ambiance
than moving a dance floor, but doesn’t necessarily always
create that ambiance with the utmost subtly. “Everything Under
The Sun,” for instance, comes off a bit heavy handedly as
chilled-out make-out music that would work well as the soundtrack
for a hot late night show on Cinemax. For the most part, though,
fans of this specific brand of electronic intricacy will fully enjoy
both the disc’s drawn out moments of minimal twiddling and
squelching and its lush ambient undertones.
Not
necessarily constructed as music that sits at the forefront of one’s
mind, Lusine’s Serial Hodgepodge works more fully on the background
of one’s brain, crafting sophisticated and stylish moods that
sometimes surge, sometimes shudder, and generally manage to intrigue.
—Matthew Stern
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