“Playing
music is living properly,” says Matthew Friedberger, who along
with his younger sister Eleanor forms the duo, The Fiery Furnaces.
“If you’re thinking of things to do, playing music is
something you would do for fun at the end of the day anyway. It’s
just living, you know, living in a fun way. If it’s just you
sitting at a piano and trying to make up some silly songs in between
playing catch or if you’re sitting around a campfire on vacation,
as long as it’s not hokey, it’s good.”
The
Fiery Furnaces issued their second album for Rough Trade, Blueberry
Boat, just nine months after their critically appreciated debut
Gallowsbird’s Bark. Whereas Gallowsbird’s Bark tripped
into a whimsical place of folk, blues and indie stylings, on the
second album Matthew and Eleanor tapped into childhood influences
like church music and musical theater to create another stunningly
eccentric songbook of theatrical art rock. In terms of press attention,
the due keeps getting hotter.
“Recording
this album was very different because we made the first album completely
on our own money,” explains Friedberger. “But this time
we had the record company’s money and had weeks to do it.
Hopefully and comparatively it sounds more focused than Gallowsbird’s
Bark.”
The Fiery Furnaces were living together in Brooklyn, where they’ve
been based since 2000, while writing and recording Blueberry Boat.
Such close quarters could have led to severe strain and tension
on both a personal and a creative level, but Friedberger says that
he and his sister didn’t allow any kind of sibling row get
in the way.
“We
fought just because of proximity and because it was easier to swear
or something like that when things didn’t go easily,”
Friedberger says. “I like to do a million takes and I like
having other people to do it too. Luckily Eleanor didn’t really
disagree with any of the stupid things I was doing on the record.
Honestly, it’s easier to fight with your sibling because you
don’t necessarily need to make up. You just forget you had
the fight. I don’t think Eleanor likes it if I call her an
idiot, but she also thinks I am an idiot, so it works.”
Before
forming a band, The Fiery Furnaces didn’t share a fondness
for one another. The teenage years were a bit thorny until they
both discovered their penchant for bands such as The Jesus Lizard,
The Flaming Lips and Guided By Voices.
“When
I was about 19 or 20, I started playing in rock bands again,”
says Friedberger. “Right around then, Eleanor expressed to
me that she too wanted to play guitar, so by the time she went to
school, she could play. This is how we got to be friends again.
We’d talk about bands that were from the Midwest, see shows,
talk about records we bought, things like that.”
It’s
been four years since The Fiery Furnaces put aside their childish
animosity to create some of the most intriguing and unconventionally
beautiful music of the new millennium. Once they wrap up a North
American tour for Blueberry Boat the twosome has plans to head into
the studio to record again. Their third album, reportedly a Dylan-esque
work with a backing band from the 1950s, will feature vocals by
their 80-year-old grandmother.
“I
have a lot of songs from four years ago, so we have material,”
Friedberger says. “I write songs really fast and Eleanor writes
songs. Eleanor’s going to be speaking Chinese by singing,
or basically getting a handle on tonal aspects of pronouncing Chinese
for some short, shiny syncopated numbers. We’re very excited.”
A2P
The
Fiery Furnaces perform at the Blind Pig on Tuesday, September 17
with special guests White Magic. Doors open at 8 p.m.. Cover is
$10. 18+
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