I’ve
been in a kind of electronic music crisis,” says Mike Dykehouse,
ruminating on his changes in musical styles for his new album, Midrange,
which will be released by Ghostly International on May 5. So far,
Dykehouse has been known for his more IDM/electronic recordings
on Planet Mu. “There’s just so many people doing that
now,” he says. “[It’s] like an IDM ghetto. I just
don’t hear that many things any more that just have a stomach-punch
feel to it...not that my music does.
“I
got into electronic music, first and foremost, because I didn’t
have band members and I wanted to create some sort of thing. But
then, I started hearing some people that I still think are really
innovative; things like the whole Reflex/Aphex [Twin]/Warp Records,
because they were pushing goal posts around and I thought it was
genuinely—this is a horrible term to use—psychedelic,
and gesturing towards the Other in some way, in the same way...of
the more experimental rock bands. I just was looking for something
new, so I just started emulating that for a while.
With
his cover of Wire’s “Map Ref. 41’N 93’W”
on last year’s Ghostly Records compilation and the latest
record, Dykehouse has gone in a more straightforward pop direction,
with a dreamier,shoegazer bent.
“I just wanted to do something somewhat genre-specific, and
a dimestore pop music with crappy lyrics and really hoary cliches
everywhere...I just wanted to write a song,” the lanky musician
says. “I love little two or three minute songs, even if it’s
never going to be popular.”
Dykehouse
recorded the new album with a microphone, a computer, and a guitar-effects
pod. “I wanted to do my approximation of what a band would
sound like, even though it’s real simple and rinky-dink,”
he says. “I did not want to have techno-y drums.”
Eventually
assembling a band out of fellow Encore Records employees and a CD
filled with backing tracks, Dykehouse and crew ventured down to
this year’s South By Southwest Festival in Austin to perform
in one of the showcases. The results wsere mixed, mainly due to
technical problems (the CD went skippy-skippy), and even he describes
the reaction as “hit-or-miss.” Also, someone in charge
of publicity took it upon themselves to list the band’s name
as “D***house.” When recounting that, he just laughs
and says, “I took it as a honor.”
Still,
the live incident demonstrates Dykehouse’s preference for
something going a little wrong and a little off. “If it all
sounds perfectly right, people might want to shoot themselves in
boredom,” he says. “A perfect show for me would make
people think that either I’m totally inept or totally in control
and know what I’m doing. I’d rather seen someone just
fail miserably with heart, with a little bit of the soul and messiness
with life.”
Looking
forward, he guards any optimism for his album: “I don’t
have any false hopes for this record. It’ll be a small indie
record that doesn’t sell.” He wants his next material
to “deal with a little bit more of the emotions, and make
it just a little bit more clouded...obscure.” Well, not totally
obscure. “Maybe a happy medium...a Midrange,” he says,
with such a laugh. A2P
Mike
Dykehouse will be at the Magic Stick in Detroit on April 30 with
Tamion 12 Inch, Esmae, and the Paris ‘68 DJs. Locally, he’ll
be at the Blind Pig on Saturday, May 8.
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