Watch Me Now
Riki-Oh: The Story of Ricky
by Dustin Krcatovich

 

The best thing about that smarmy bastard Craig Kilborn’s run on Comedy Central’s The Daily Show (and later on, on his own talk show) has to be the ridiculously violent footage that is used to usher in his “Five Questions” segments. It seems to be from a martial arts film of some kind, albeit a particularly bizarre one: depending on which show you’re watching, you see either a head or an entire body blow into a million pieces, a bloody but cartoonish display. Where the hell do they get this crazy crap?


Actually, it’s from a fantastic, ridiculous movie from 1992 called Riki-Oh: The Story of Ricky, and the footage that Kilborn uses is, in the context of the film, relatively tame. People trip and fall, face first, into upturned nails; villains jump out of secret underground hiding places to kick stray dogs in half (incidentally, the dog’s guts look kind of like lasagna and jam); torsos are torn asunder to allow for proper access to a victim’s intestines, which are then used to strangle said victim. In one particularly outrageous scene, the film’s title character and hero (played by Fan Siu Wong) has the veins in his forearm sliced apart, to which he responds by tying them back together by hand and screaming triumphantly. All of this is ridiculously bloody and violent, but it’s also so far past realistic or believable that only a 5-year-old could find it disturbing.
I guess the movie does have a plot of sorts, which I should probably capsulize (as if it really matters). In the year 2001, in what was then “the future,” all prisons are privately owned, and as such much less concerned with government restrictions then the prisons of years past. These methods of operation have served to make prisons even more violent and abusive places than before. At the beginning of the film, we meet Riki, who is sentenced to 20 years in one of these prisons for manslaughter and assault. He’s a mysterious rebel who won’t play by the rules, instead spending his time causing trouble for the corrupt warden and his super-powered minions. You see, Riki is apparently super-strong and nigh-invincible, not to mention a master martial artist, and—


Alright, look: none of this crap matters. You’ll figure out the plot, and you won’t really care, anyway. Plot, character development and all that other stuff that you look for in a “serious” film are not this film’s concerns. The point of this movie is to show you a constant stream of bizarre, outrageous, ridiculous violence. There are freaks, and super powers, and even a monster or two. Oh, and a subplot involving opium. It’s very well-paced, which in a movie like this means there’s at least one crazy violent act every five minutes or so. If you’re not very easily disgusted, then you’ll find this movie nothing short of hilarious.

   

 

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